RoseBerry Media is bringing true crime and crime-related factual programming into the expanding vertical television market, unveiling a slate of more than 150 titles at MIPCOM 2026. The line-up combines original productions with established crime and investigative programming adapted for mobile-first viewing, drawing on partnerships with major international distributors.
Among the original projects are two titles from Silvio Productions, the Fremantle-backed company behind Netflix’s Death of the Pastor’s Wife and Cold Case: The Tylenol Murders. The new slate also features crime and factual programming from Cineflix Rights, Banijay Rights, All3Media International, Woodcut Media and other partners.
RoseBerry plans to offer more than 150 titles by the end of 2026, with access to a library spanning thousands of hours by the end of 2027. Its model combines original vertical productions with adaptations of existing television IP, bringing established stories to audiences through shorter, mobile-oriented viewing experiences.
Click here to read our MIPCOM 2026 issue.
Two New True Crime Originals From Silvio Productions
Two Marys revisits the murders of two women who shared the same name and were killed in the same city just days apart. Twenty-five years later, their daughters return to the cases, examining the possibility that mistaken identity played a role in the crimes.
The Swindler and the Billionaire Murder investigates the death of billionaire banker Edmond Safra in a fire in Monaco. The story follows three women pursuing answers over several decades, with the case connected to Safra’s nurse, Ted Maher.
Silvio Productions previously co-produced Death of the Pastor’s Wife, which topped Netflix’s global English-language television chart for two consecutive weeks, and Cold Case: The Tylenol Murders, which reached No. 2 on the chart and entered the weekly Top 10 in 84 countries.
RoseBerry’s original slate also includes You Don’t Know Paul, in which a brutal attack triggers an investigation into a man’s concealed identity, and My Mother the Murderer, following a filmmaker as she uncovers secrets in her mother’s past.
Crime and Investigation Titles From International Partners
The wider catalogue features a range of established crime and investigative titles. Cineflix Rights contributes Homicide: Hours to Kill, which reconstructs the final hours of murder victims and explores how investigators piece together evidence to solve cases.
Banijay Rights brings Deadly Women, My Dirty Little Secret and Murder, Lies and Alibi, alongside Handsome Devils. All3Media International’s titles include Serial Killer Wives, Forensics and Detectives: My Killer Case, as well as My Boyfriend Made Me Do It.
Woodcut Media contributes Surviving a Serial Killer and The Killer Within, while Farpoint Films adds Cruise Ship Killers and Heartland Homicide. The catalogue brings together true crime, murder investigations and other factual stories from multiple production companies and distributors.
RoseBerry is also adapting established television IP for vertical viewing. Its recently announced partnership with Fremantle will bring storylines from Neighbours to the format as standalone titles, with the first series scheduled to premiere on the company’s epis service in autumn 2026. Fremantle’s additional slate includes You Can’t Kill Me, adapted from The Fall: Skydive Murder Plot, and Missing Persons Investigation.
The company’s vertical catalogue extends beyond crime into drama and reality programming, with titles from Lime Pictures, Baron Productions and creator Zipi Rozenblum. RoseBerry says the broader strategy is to combine original productions with established television brands to create a wider entertainment offering for mobile audiences.
Guy Hameiri, RoseBerry Media’s Co-Founder and CEO, said: “We’re bringing established producers into this space to help expand what vertical television can offer, from Silvio’s expertise in true crime to Lime Pictures’ experience in drama.”
Launched in May 2026, RoseBerry Media operates across original development, production, library adaptation, distribution and monetisation. Its epis streaming service offers premium vertical content and audience intelligence designed to help the company and its partners understand viewer engagement, genre demand and the market potential of individual titles.
Source: RoseBerry Media
